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A black-and-white photo of a man holding a protest sign above his head as he is lifted by a crowd. He is pointing forward with his right hand and has a determined look on his face. The sign reads 'SAL IS FOR YOU ARE YOU FOR HIM?'. A person in the crowd to his right holds up a peace sign. Other people in the crowd smile, laugh, and cheer, creating a celebratory atmosphere.
A crowd celebrates activist and teacher Sal Castro. Prints and Photographs Division
A black-and-white photo showing a protest rally. In the foreground, a man in a cowboy hat and sunglasses stands beside a woman in a wide-brimmed sun hat, both looking forward with serious expressions. The woman's mouth is open as if she is speaking or shouting. Behind them, people hold up various protest signs. The most prominent sign, held high in the center, reads: '¡CHICANOS! 18% DEAD IN Vietnam 23% EN LAS PINTAS IS THIS JUSTICE?!'
Protestors carry signs at a Vietnam War protest in Los Angeles. Prints and Photographs Division

Snapshots of Change

Photographer Raul Ruiz was an important voice of the Chicano movement.
It’s the last half of the 1960s. The Vietnam War is at its height. Martin Luther King Jr. is assassinated. The battle for civil rights stretches across the country. Passion, grief and change come with protests, riots and strikes.

That is exactly what journalist, photographer and activist Raul Ruiz captured for La Raza, a newspaper and magazine in East Los Angeles led by Chicano activists and creatives in the last half of the ’60s and ’70s.

Ruiz and the magazine focused on covering the struggles of Chicanos (Mexican Americans), and his photographs captured the community’s mobilization that flourished despite hardships. Ruiz and La Raza covered school walkouts, marches and other forms of protest.

The Library recently acquired the Raul Ruiz Chicano Movement Collection, some 17,500 photos by Ruiz and original page layouts for La Raza. It also acquired nearly 10,000 pages of manuscripts, which include original correspondence, the unpublished draft of Ruiz’s book on Los Angeles Times journalist Ruben Salazar and handwritten minutes from La Raza staff meetings.

As an undergraduate at California State University, Los Angeles, Ruiz became active in student and community organizing during the height of the civil rights era. Once he began reporting for La Raza, it was apparent to him what role the publication played for the community.

“A lot of us wanted to bring out the truth of who we were,” Ruiz recalled years later on “Artbound,” a documentary series by PBS SoCal. “We wanted to come out with our own news, with our own version, with our own story.”

After La Raza’s dissolution in 1977, Ruiz became a college professor, teaching Chicano studies and journalism at Cal State, Northridge, until his retirement in 2015. He died in 2019, leaving a legacy as an important voice of the Chicano movement and as a storyteller who captured a critical era in American history from the perspective of those who lived it.

—Zoe Herrera is an intern in the Office of Communications.