OFF THE SHELF
A sepia-toned, textured illustration in a rectangular frame. The image depicts a dark, silhouetted human-like figure with arms raised, possibly dancing or in motion. The figure's left arm is bent at the elbow and extended to the left, and the right arm is raised high above its head. The background is a hazy, mottled texture, with several small, bright, abstract shapes floating around the figure. The overall effect is dreamlike and ethereal.
The Rare Book division holds choice examples of Edward Gorey’s works, including “Elefantômas” (above) and the thumb-size “Gashlycrumb Tinies” (bottom). Rare Book and Special Collections Division/images used by permission of The Edward Gorey Charitable Trust

Dark Delights

The charming, macabre world of Edward Gorey.
Edward Gorey, that bearded patron saint of the sad and whimsical, the strange and witty, was born in 1925 Chicago, deep in the heart of America.

But you’d swear, looking at his comic-but-disturbing illustrated books, that the man was born into a dreary British family in a shabby village called Puddlington or something.

Happily, the instantly identifiable Gorey universe — built on “The Gashlycrumb Tinies,” “The Unstrung Harp,” his Tony Award-winning costume design for “Dracula,” his animated intro for the long-running PBS show “Mystery!” — has become part of America’s background cultural fabric.

Gorey created a pen-and-ink, genteel, British-looking landscape in which bad things happened to small children, people had oddly shaped heads, the sun rarely shone and a vague air of menace hung about the tea room.

He began illustrating books for Doubleday in the early 1950s and created the covers for hundreds of books, illustrated posters and magazine articles by the score and wrote and illustrated over 100 of his own works.

Never married, Gorey bought an 18th-century sea captain’s house on Cape Cod, where he lived with several cats. He described his books as “Victorian novels all scrunched up.”

A photograph showing two books by Edward Gorey. The top book is titled "A Gorey Festival." Its cover is a bright yellow-green with a decorative border and features a stylized black dragon-like creature with large bat wings and a long, curled tail. Below the dragon, the title is written in a whimsical script. Two small green creatures resembling lizards or frogs are at the bottom corners. The second book, below the first, is a small, light-colored paperback with a purple frame around a central image. The image within the frame shows a figure under a black umbrella standing on a stone monument. The title, "The Gashlycrumb Tinies," is printed in purple script at the top, with "Edward Gorey" at the bottom.
The Rare Book and Special Collections Division holds choice examples. “Elefantômas,” a strange, limited edition of nine hand-pulled collagraphs, part of his elephant drawings. An edition of “The Gashlycrumb Tinies” that is … tiny. The size of your thumb.

“Gashlycrumb” is styled as a child’s alphabet book, but each letter stands for a child who is about to die in a most unfortunate way: “A is for Amy who fell down the stairs.” Above this line we see little Amy, ghostly white with black eyes, hurtling face-first down a dark set of stairs, arms outstretched.

We can only imagine what Gorey would have drawn for his own “Happy 100th Birthday!” card, but it would likely have involved something most regrettably unfortunate for birthday party guests.

—Neely Tucker is a writer-editor in the Office of Communications.