Library of Congress Magazine November / December 2024

Library of Congress Magazine Logo
A Taste of the Holidays
November/December 2024
On the cover: Colorful cookies with crushed peppermint capture the flavor of the holiday season. Shawn Miller
Party guests arrive on a snowy Christmas Eve in this print by Joseph Hoover. Prints and Photographs Division

Features

  • LCM logo
  • november / december 2024
    Vol. 13 No. 6
  • Mission of the Library of Congress
  • The Library’s mission is to engage, inspire and inform Congress and the American people with a universal and enduring source of knowledge and creativity.
  • Library of Congress Magazine is issued bimonthly by the Office of Communications of the Library of Congress and distributed free of charge to publicly supported libraries and research institutions, donors, academic libraries, learned societies and allied organizations in the United States. Research institutions and educational organizations in other countries may arrange to receive Library of Congress Magazine on an exchange basis by applying in writing to the Library’s Director for Acquisitions and Bibliographic Access, 101 Independence Ave. S.E., Washington DC 20540-4100. LCM is also available on the web at loc.gov/lcm/. All other correspondence should be addressed to the Office of Communications, Library of Congress, 101 Independence Ave. S.E., Washington DC 20540-1610.
  • news@loc.gov
    loc.gov/lcm
    ISSN 2169-0855 (print)
    ISSN 2169-0863 (online)
  • Carla Hayden
    Librarian of Congress
  • April Slayton
    Executive Editor
  • Mark Hartsell
    Editor
  • Ashley Jones
    Designer
  • Shawn Miller
    Photo Editor
  • Contributors

    Ryn Cole
    Lauryn Gilliam
    Carla Hall
    Jennifer Harbster
    Aimee Hess
    Katherine S. Madison
    Wendi A. Maloney
    Hannah Ostroff
    Neely Tucker
    Brett Zongker

Connect On

loc.gov/connect

Trending

Written in the Stars

Poet Laureate Ada Limón sends a poem on a NASA mission to Europa.
In the moments before NASA’s Europa Clipper launched from the legendary Kennedy Space Center on Oct. 14, everything got quiet.

All eyes fixed on the towering SpaceX Falcon Heavy rocket that would carry a NASA spacecraft on a 1.8 billion-mile journey to explore Europa, one of Jupiter’s moons. The mission was in the making for decades and imagined for far longer.

Galileo first discovered Europa through a homemade telescope in 1610. Now, scientists believe Europa is another water world covered with an icy crust and may hold the ingredients for life.

As the countdown clock ticked, a crowd of scientists, mission planners, family, friends — and the poet laureate of the United States — gathered under clear blue skies to watch. Then they counted down together. 10, 9, 8, 7, 6, 5, 4, 3, 2, 1. Liftoff. As the rocket lifted higher and turned out over the ocean, Poet Laureate Ada Limón wiped a tear and watched it disappear into the sky.

OFF THE SHELF
Ruth Westheimer with glasses smiling, wearing a coral blouse and pearl necklace against a soft blue background.
Dr. Ruth Westheimer spent some 40 years listening to the nation’s sexual and relationship problems and providing advice, as she did in this letter to a listener in 1982. Manuscript Division. Photo by Austin Hargrave, courtesy of Ruth Westheimer

On the Air and in the Archive

The Library opens Dr. Ruth’s papers for research.
Ruth Westheimer became a household name as “Dr. Ruth” in the 1980s, filling radio waves, television screens and bookshelves with advice on sex and relationships. Dr. Ruth was a pioneering voice in sex education, speaking openly about contraception, orgasms and male and female anatomy at a time when such topics were publicly taboo.

Dr. Ruth first went on the air in 1980 in New York City. Only radio listeners with antennae strong enough to pick up New York’s 97.1 FM station could hear her German-accented voice until 1984, when NBC Radio nationally syndicated her program, “Sexually Speaking.” Her audience grew with the premiere of “Good Sex! With Dr. Ruth Westheimer” on Lifetime Television in 1984.

The Library’s Manuscript Division recently opened the Dr. Ruth Westheimer Papers for research. The collection consists almost exclusively of audience letters sent to Dr. Ruth from 1980 to 1986. Writers sought guidance for their problems regarding sexual experience (How do I achieve orgasm?) or relationship issues (Should I leave him?).

FOR YOU
Historic photograph of the U.S. Capitol under construction with scaffolding around its dome.
Historical photograph of a large crowd in front of a neoclassical building with columns.
John Wood photographed the inauguration of Abraham Lincoln (right) at the U.S. Capitol on March 4, 1861, and the ongoing construction of the Capitol dome that May. Prints and Photographs Division

‘Magnificent Intentions’

New book highlights the work of the United States’ first federal photographer.
Nearly a half-century before the Library of Congress moved from the U.S. Capitol to a grand new building across First Street, an immense dome was planned for the Capitol rotunda, along with the placement of columns on its facade.

As the United States’ first federal photographer, John Wood bore witness to this epic construction project and chronicled the transformation of Washington, D.C., into an established metropolis and center of government.

In “Magnificent Intentions: John Wood, First Federal Photographer (1856-1863),” Library of Congress conservator Adrienne Lundgren highlights the significance of Wood’s photographic images — his documentation of the U.S. Capitol and the Washington Aqueduct; the first panoramic photos of D.C.; the first inauguration photo, from James Buchanan’s inauguration in 1857; and documentation of the Civil War. It also includes a magnificent large format view of Abraham Lincoln’s 1861 inauguration from the Library’s collections. Lundgren’s research established that all of the extant photographs of Lincoln’s 1861 inauguration were taken by Wood.

Favorite Place
A large Christmas tree decorated with colorful ornaments and lights in an ornate building with marble columns and arches.
shawn miller

Great Hall at Christmas

The holiday season is a festive time at the Library of Congress.

A roving band of employees dressed in medieval costumes puts on its annual mummers play, a holiday folk tradition in England, Ireland, Colonial America and the West Indies — and, now, at the Library.

The Library chorale performs seasonal favorites. Librarian of Congress Carla Hayden reads aloud to children gathered around her in the Great Hall.

You never know who might show up: Last year, singer Mariah Carey dropped by the Great Hall to pick up a certificate marking the induction of a signature hit into the Library’s National Recording Registry. The song: her smash “All I Want for Christmas Is You,” which played in the background as Carey, certificate in hand, posed for pictures by the massive Christmas tree.

Ah, the tree.

Each year, the Library erects a towering tree in the Great Hall, brilliantly lit and decorated with red ribbons and shining ornaments of gold, silver, red, blue and green.

Befitting America’s library, some ornaments come in book form, representing each of the 50 states. A volume titled “The Yellow Rose of Texas” hangs near “Idaho Mountain Bluebird,” itself perched on a branch just below “Georgia: Peace on Earth.”

The tree, of course, is spectacular at any hour. But it is perhaps best viewed in the evenings just before closing time, when the crowds thin out, the winter sky outside the windows darkens and the tree’s lights and colors cast a warm glow on one of America’s most magnificent spaces.

—Mark Hartsell is editor of LCM.
Technology
Antique nautical map on aged parchment with coastlines, navigational lines, and compass roses.
Bartolomeu Velho created this nautical chart around 1560 — one of only a few portolans depicting the East Coast of North America known to exist. Geography and Map Division

Bringing New Details to Light

Preservation team uncovers place names on an early, rare nautical chart.
The map, hand drawn on animal skin nearly five centuries ago, is a rare survivor. Its faded inks trace the Gulf of Mexico from what is now Texas to Florida, then up the entire East Coast.

Portuguese cartographer Bartolomeu Velho created the map — an early nautical chart, or portolan — around 1560, and the Library acquired it last year. It is one of a small group of portolans depicting the East Coast of North America known to exist.

The Velho portolan came to the Library by a circuitous route, to say the least. It was found in 1961 at Rye Castle Museum in Sussex, England. By then, however, the portolan no longer was intact: It had been cut into quarters and repurposed for its vellum, or animal skin.

PAGE FROM THE PAST
Handwritten letter addressed to Abraham Lincoln with red official seals.
Sarah Hale wrote this letter to Abraham Lincoln on Sept. 28, 1863, urging the president to proclaim a national day of thanksgiving on the fourth Thursday of November. Manuscript Division. Prints and Photographs Division
Black and white portrait of Sarah J. Hale wearing a lace bonnet and patterned garment.

The Woman Who Helped Make Thanksgiving

Hale campaigned for the creation of a national holiday.
The fourth Thursday in November today means family, food and giving thanks. The national holiday of Thanksgiving, however, did not come quickly or easily. The precedent for the holiday can be attributed, in part, to the determination of one woman: Sarah J. Hale.

Born in 1788, Hale was an American activist, editor and writer, best known as creator of the nursery rhyme “Mary Had a Little Lamb.” As editor of the popular Godey’s Lady’s Book magazine for women, she advocated for women’s education and the right to own property. A talented writer, she used her skills to persuade President Abraham Lincoln to proclaim a national day of thanksgiving on the fourth Thursday in November.

After years of writing to other government officials, Hale finally took her case to the top.

my job
Aimee Hess wearing glasses in a crimson dress smiling.
shawn miller

Aimee Hess helps produce books that showcase the Library and its collections.

Describe your work at the Library.

I am the lead writer-editor in the Publishing Office, where we publish books about the Library and its collections. I oversee our editorial output, such as developing production schedules, ensuring we meet deadlines and reviewing all prepublication text. With just six staff members, we all contribute to get a project from the seed of an idea to something you can buy in the Library of Congress Shop, online and in bookstores. This includes developing ideas, writing proposals, conducting archival research, editing text, securing permissions, arranging scanning, working with designers and marketing.

How did you prepare for your position?

I grew up in Westchester County, New York, in the beautiful Hudson Valley. I had many interests: sports, dance, music, theater, nature — and I always had my head in a book. During high school, I studied classical voice in the precollege program at Juilliard and considered going to a conservatory. Instead, I went to Princeton University, where I majored in English with a certificate in African American studies.

How ‘Rudolph’
Went Down in
History

Two brothers-in-law created the most famous
reindeer of all.

By Neely Tucker
“Rudolph the Red-Nosed Reindeer” went without a song for years, from the tail end of the Depression through World War II and nearly until the midcentury before a musician named Johnny Marks began to consider it.

Marks studied music in college in the 1920s, penned a good song or two for Guy Lombardo’s orchestra in the late 1930s and had a major hit with “Address Unknown” for the Ink Spots in 1939. He served with distinction during the war and wrote a few minor things, but now he was nearly 40 and looking for a hit.

It was about this time that his sister Margaret married Robert L. May, the guy who had come up with the “Rudolph” story back in 1939. May was an ad writer for Montgomery Ward department store, and the company gave away more than 2 million copies of his 31-page “Rudolph” story as a holiday treat for customers that year. After the war’s paper restrictions ended, the store had given away another 3 million before letting May have the copyright in 1947.

Whether May suggested he take a crack at it or on his own whim, Marks looked over his new brother-in-law’s story with a professional eye. It merged “The Ugly Duckling” storyline with the rhyming couplets style of “’Twas the Night Before Christmas.”

Illustration of a reindeer lineup pulling Santa's sleigh on a red background.

How ‘Rudolph’ Went Down in History

Two brothers-in-law created the most famous reindeer of all.

By Neely Tucker
“Rudolph the Red-Nosed Reindeer” went without a song for years, from the tail end of the Depression through World War II and nearly until the midcentury before a musician named Johnny Marks began to consider it.

Marks studied music in college in the 1920s, penned a good song or two for Guy Lombardo’s orchestra in the late 1930s and had a major hit with “Address Unknown” for the Ink Spots in 1939. He served with distinction during the war and wrote a few minor things, but now he was nearly 40 and looking for a hit.

It was about this time that his sister Margaret married Robert L. May, the guy who had come up with the “Rudolph” story back in 1939. May was an ad writer for Montgomery Ward department store, and the company gave away more than 2 million copies of his 31-page “Rudolph” story as a holiday treat for customers that year. After the war’s paper restrictions ended, the store had given away another 3 million before letting May have the copyright in 1947.

Whether May suggested he take a crack at it or on his own whim, Marks looked over his new brother-in-law’s story with a professional eye. It merged “The Ugly Duckling” storyline with the rhyming couplets style of “’Twas the Night Before Christmas.”

curator’s picks

Winter Spirits

J.J. Harbster, head of the Science Section, chooses favorite holiday cocktails from the Library’s mixology and culinary collections.
Vintage illustration of a champagne glass with a festive bow and holly leaves, with the text "A toast to St. Nick!"
Recipe excerpt for a drink called Flutemaginley.

Flutemaginely

This drink not only is fun to say — “flutemaginely” — but also is a “refreshing and pleasant beverage not generally known,” according to Jesse Haney is his 1869 “Steward & Barkeeper’s Manual.” The recipe for this intriguing cider punch calls for the classic holiday spice nutmeg along with the warming properties of brandy. Punches are a popular beverage for holiday occasions and, according to Haney, are “… believe(d) to be the oldest of all made drinks.”
A holiday-themed illustration featuring a red shape with an extended line leading to a green gift box with a bow, set against a white background.

A Taste of the Holidays

Historical cookbooks reflect how Americans celebrate the season.

By Hannah S. Ostroff
hen you sit down for a traditional holiday meal, does your cranberry sauce resemble the fruit or retain the outlines of the can’s ridges? Does the stuffing — or is it called dressing? — go inside the turkey? Who brings the black-eyed peas? Latkes with sour cream or applesauce? Do your family traditions include tamales?

The Library of Congress collections hold some 40,000 cookbooks, plus thousands of recipe booklets, archival recipes and dietary therapy books, that reflect America’s holiday food traditions — a seasonal smorgasbord of ingredients, techniques, technology and culinary viewpoints.

Cookbooks devoted to the holidays didn’t become popular until after World War II, though festive recipes nevertheless had their place.

The first cookbook added to the Library’s collections was at least holiday adjacent: Thomas Jefferson’s copy of “The compleat confectioner, or, The art of candying and preserving in its utmost perfection,” a 1742 volume written by Mary Eales.

A minimalist holiday-themed illustration with a red dotted line leading to a candy cane shape, positioned against a white background.
The grand entrance of the Paris Expo of 1900. Prints and Photographs Division
The grand entrance of the Paris Expo of 1900. Prints and Photographs Division

Faces of the Paris Expo

Exhibition showcased African American life at the turn of the century.

By Lauryn Gilliam
Portrait of W.E.B. Du Bois with a contemplative expression, dressed in a suit and bow tie, with a neatly trimmed mustache and goatee, looking slightly to the side.
W.E.B. Du Bois, photographed by C.M. Battey in 1919. Prints and Photographs Division
The Paris Exposition of 1900 was an influential world’s fair devoted to technological achievements of the age, with awe-inducing buildings such as the Palace of Electricity, the Water Castle and the Grand Palais. But one of its most lasting contributions to international culture was simply called “The Exhibit of American Negroes.”

That display, composed of hundreds of photographs, charts, books, maps and diagrams, was organized by W.E.B. Du Bois, the writer, activist and sociologist; Thomas Calloway, a lawyer and activist; and Daniel A.P. Murray, an assistant librarian at the Library of Congress. They wanted to show the world — or at least the international visitors to the fair — that three decades and change after gaining their freedom, Black Americans were making vast intellectual and social gains. Their exhibit, within the Palace of Social Economy and Congresses, was to advocate for the positive representation of Black Americans and the preservation of their literature, culture and history.

Around the Library
Two people dancing in costume inside a grand, ornate hall with a crowd in the background.
1. A wild cast of characters takes over the Great Hall at the film costume ball on Sept. 12.
Four individuals stand in front of a backdrop featuring an image of a man holding Betty Boop. One holds an award.
2. Director Asaf Galay (second from left) accepts the Library of Congress Lavine/Ken Burns Prize for Film from Ken Burns (left) and Jonathan and Jeannie Lavine (right) on Sept. 17.
A woman awards a medal to a man on stage, while another man smiles in the background.
3. Librarian of Congress Carla Hayden confers the Kluge Prize upon philosopher Kwame Anthony Appiah in the Great Hall on Sept. 20.
A woman holds up a translucent sheet with a blueprint underneath in an indoor workspace.
4. The Conservation Division hosts a workshop on handling and stabilizing large paper materials with water damage on Oct. 8.
A man speaks at a podium with the Library of Congress emblem, Brazilian flag in background, addressing an audience.
5. João Candido Portinari, son of Brazilian painter Candido Portinari, on Oct. 10 discusses the murals his father created in the Hispanic Reading Room.
Three people seated in a panel discussion on stage with flags in the background.
6. The Congressional Research Service hosts a town hall with interim director Robert Newlen (from left), new director Karen Donfried and Carla Hayden on Oct. 8.
ALL PHOTOS BY SHAWN MILLER

News Briefs

Foreign Policy Expert Donfried Selected as Director of CRS

Librarian of Congress Carla Hayden in September appointed Karen E. Donfried director of the Congressional Research Service (CRS) in the Library of Congress.

A noted foreign policy expert, Donfried has more than three decades of experience leading foreign policymaking, analysis and research with the U.S. Department of State, the German Marshall Fund and CRS.

Most recently, Donfried served as the assistant secretary of state for European and Eurasian affairs, acting as the secretary of state’s lead adviser. Earlier in her career, Donfried served as an analyst and specialist in European affairs in CRS’ Foreign Affairs, Defense and Trade Division.

‘Cartooning America’ Earns Lavine/Burns Prize for Film

The Library of Congress, The Better Angels Society, Ken Burns and the Crimson Lion/Lavine Family Foundation recently announced “Cartooning America” as the winner of the sixth annual Library of Congress Lavine/Ken Burns Prize for Film.

The director, Asaf Galay, received a $200,000 cash prize for the multipart film about the Fleischer Brothers, a family of animators who created innovative techniques that transformed the industry and still are in use today in an evolved form.

Shop

Book cover of 'S is for Santa' showing Santa Claus and a reindeer beside a chimney and sack of presents.

‘S is for Santa’

Product #21109319
Price: $5.99

This collection of 26 colorful, Christmas-themed concepts will evoke a sense of wonderment for toddlers and nostalgia for parents.
Minerva Ornament of a classical painting of a woman holding a torch and scroll, with an orrery below.

Minerva Ornament

Product #21506360
Price: $25

Display your love for the Library with this glass ornament of the Minerva mosaic that resides in the Great Hall.
Cover of "A Literary Holiday Cookbook" by Alison Walsh, featuring festive holiday designs.

‘A Literary Holiday Cookbook’

Product #21102070
Price: $17.99

Create festive dishes inspired by favorite books and characters, including “Alice’s Adventures in Wonderland,” “The Snow Queen” and Scrooge.
support
Connie Carter in pink jacket sitting at a table with vintage kitchen tools and cookies, with cookbooks in the background.
Connie Carter worked at the Library for over 50 years and now supports it through the Friends of the Library group. Shawn Miller

Special Friend

A Library employee for five decades, Carter finds new ways to give back.
Constance “Connie” Carter is a beloved figure at the Library of Congress. Known for her quick wit, generosity and delicious wafer-thin chocolate chip cookies, Carter is a Library treasure. She spent more than 50 years working at the Library, including 47 years in the former Science, Business, and Technology Division — home to the acclaimed cookbook and recipe collection.

Despite being “a librarian with dyslexia,” Carter turned this challenge into a strength. She mastered the art of memorizing the reference collection and locating materials with exceptional precision. Her extraordinary skill earned her the title of a “great enabler” from noted scientist and historian Ian Bartky. She’s been acknowledged in over 70 publications, including two by Bartky.

All along, Carter has followed her father’s advice: “Do not try to be top dog in any organization; find a niche where you can make a difference, and you will be happy.” And, indeed, she is!

Give history a future this holiday season. Join Friends of the Library with your year-end donation.
last word
Carla Hall wearing red glasses and a patterned shirt in a kitchen setting.
CLAY WILLIAMS

Carla Hall

When I think back to Christmases growing up in Nashville, one of my most cherished memories is the drive out to Lebanon, Tennessee. Every year, my mom, sister and I would make that 30-mile trip to my grandparents’ house — Doc and Freddie Mai Glover’s — for the holiday. It was a tradition that filled me with excitement, not only for the presents but for the incredible food my Granny would prepare.

That time in my life is the inspiration behind my children’s book, “Carla and the Christmas Cornbread.” Food, family and love were all wrapped together during those early days, and that’s the story the book tells. In reality, though, our Christmas table wasn’t just for my immediate family — cousins, aunts, uncles and other relatives would come from all over Tennessee, New York and Michigan, filling the house with energy and laughter.

One of my fondest memories is how Granny would wait until we arrived to start making her famous cornbread. She made it fresh, and her cinnamon butter really took it over the top — just butter, powdered sugar, cinnamon and a splash of vanilla extract. You had to eat it hot, right out of the oven.

Metallic menorah with lit candles against a marble backdrop.
A menorah lights up the Great Hall of the Jefferson Building. Shawn Miller

National Film Registry

Stylized illustration of a vintage film camera with light beams on a reddish-orange background.
Did you know you can nominate a film?
Library of Congress National Film Registry #NatFilmRegistry loc.gov/film
The Library of Congress invites you to submit recommendations for the 2024 National Film Registry. To be eligible, a film must be at least 10 years old and be “culturally, historically, or aesthetically significant.”
Deadline for the 2025 registry is August 15

Current Exhibitions

Current Exhibitions
COLLECTING MEMORIES: TREASURES FROM THE LIBRARY OF CONGRESS
Ongoing

NOT AN OSTRICH
Ongoing

THOMAS JEFFERSON’S LIBRARY
Ongoing

More Information

loc.gov/exhibits

David M. Rubenstein Treasures Gallery

New Exhibit! Now Open
David M. Rubenstein Treasures Gallery
Collecting Memories: Treasures from the Library of Congress
Curated from over 178 million collection items
Vintage sewing machine, gold record, and antique phonograph.
Plan Your Visit | loc.gov/treasures
Library of Congress logo
Library of Congress Magazine Logo
Thanks for reading our November/December 2024 issue!