Picturing
War
Personal snapshots, whether they accompany interviews or stand alone, speak complicated volumes covering a broad range of the experiences of military service.
Some capture war’s harsh realities: bombed-out cities, heavy weaponry, exhausted faces. Others reveal quieter, everyday moments — soldiers joking with friends, posing in uniform, enjoying brief moments of rest.
In honor of VHP’s 25th anniversary, we’re highlighting photographs from six compelling collections that offer deeply personal and visual perspectives on military service across more than a century of conflicts.

Many VHP collections include a portrait of the veteran in uniform, often taken at the beginning of their service, sometimes posing in the front yard with proud family members, sometimes on their own. In this portrait, Rosenblum wears a serious expression and a doughboy uniform.
Drafted into the Army in 1918, Rosenblum served stateside with the field artillery. An artist and musician, he practiced fugues and sonatas on the piano between guard duty and 13-mile hikes. His collection includes this portrait and a rich diary in which he reflected on his experiences through the context of literature, art and music.

Ross, a West Virginia native drafted into the Army in 1940, recorded his time in the Quartermaster Corps during World War II through a vast array of snapshots. His VHP collection contains 278 of these photographs, many captioned by hand, showing off-duty life during training and abroad.
Ross captured joyful moments in Rome, Paris and London and at the beach. Many of his photos highlight the strong bonds within his unit. In one striking shot, two unidentified soldiers smile for the camera, offering a glimpse of connection in wartime.

Phillips’ story stands out for its rare color photographs of the Korean War. The images are striking, almost to the point of being jarring, as we are used to picturing this era in black and white.
This photograph, taken of Phillips and his buddies relaxing near a medical vehicle, reflects the candid nature of many VHP photos — it captures not only Phillips’ grin but also the beginning of another soldier’s yawn.

Capt. Leff served as a nurse aboard the USS Repose, a hospital ship off the coast of Vietnam. While not in direct combat, she witnessed the effects of combat through her patients. Her oral history interview recalls the deep connections among medical staff and wounded service members.
This moving image features a young patient she cared for and remembered for decades — Pvt. Jim Davis, who had been wounded in the abdomen.

Though Operation Desert Storm was brief, Finan’s collection is one of the largest in VHP, with nearly 1,800 photos. A cannon crewman with a West Virginia National Guard unit, Finan deployed to Saudi Arabia, Iraq and Kuwait. He captured impromptu haircuts, desert sunsets, burning oil wells, impromptu golf games and daily routines.
His camera was always close, documenting the full arc of deployment, from combat scenes to camaraderie and fleeting moments of normalcy in a stark landscape.

Frisby deployed to Iraq in January 2005 with the California National Guard, serving as a vehicle mechanic trained to operate recovery vehicles. Her job was to retrieve vehicles damaged by improvised explosive devices.
Her photos capture the aftermath of these missions: twisted metal, shattered glass and close calls. One image reveals a shot-out truck headlight, evidence of danger narrowly escaped. Frisby documented not only the destruction but also the resolve and strength of service members deployed to unfamiliar places.
MORE INFORMATION
- Joseph Rosenblum collection
https://loc.gov/item/afc2001001.19364/ - Ellis Ross collection
https://loc.gov/item/afc2001001.45353/ - Nicholas W. Phillips collection
https://loc.gov/item/afc2001001.00653/ - Rae Leff collection
https://loc.gov/item/afc2001001.50634/ - Patrick Austin Finan collection
https://loc.gov/item/afc2001001.47354/ - Cristina Frisby collection
https://loc.gov/item/afc2001001.53197/









