Library of Congress Magazine January/February 2025

Library of Congress Magazine
 Cream-colored text reading "'The Two Georges'" in bold, capitalized letters, displayed on a transparent background.
January/February 2025
On the cover: Benjamin West painted this portrait of King George III (left) in 1779. That year, Charles Willson Peale painted this portrayal of George Washington (right) at the 1777 Battle of Princeton. © Royal Collection Enterprises Limited 2025 | Royal Collection Trust; Cleveland Museum of Art
These etchings of King George III and George Washington, circa 1780-1790s, may have been part of a French print sellers sample book. Prints and Photographs Division

Features

  • LCM logo
  • january / february 2025
    Vol. 14 No. 1
  • Mission of the Library of Congress
  • The Library’s mission is to engage, inspire and inform Congress and the American people with a universal and enduring source of knowledge and creativity.
  • Library of Congress Magazine is issued bimonthly by the Office of Communications of the Library of Congress and distributed free of charge to publicly supported libraries and research institutions, donors, academic libraries, learned societies and allied organizations in the United States. Research institutions and educational organizations in other countries may arrange to receive Library of Congress Magazine on an exchange basis by applying in writing to the Library’s Director for Acquisitions and Bibliographic Access, 101 Independence Ave. S.E., Washington DC 20540-4100. LCM is also available on the web at loc.gov/lcm/. All other correspondence should be addressed to the Office of Communications, Library of Congress, 101 Independence Ave. S.E., Washington DC 20540-1610.
  • news@loc.gov
    loc.gov/lcm
    ISSN 2169-0855 (print)
    ISSN 2169-0863 (online)
  • Carla Hayden
    Librarian of Congress
  • April Slayton
    Executive Editor
  • Mark Hartsell
    Editor
  • Ashley Jones
    Designer
  • Shawn Miller
    Photo Editor
  • Contributors

    Allison Buser
    Flora Fraser
    Sahar Kazmi
    Anne McLean
    Julie Miller
    John Powell
    Neely Tucker

Connect On

loc.gov/connect

Trending
a close-up of piano strings and tuning mechanisms, a conductor embracing orchestra members during a performance, and a dramatic stage scene featuring a performer in a black dress illuminated in a spotlight against a vibrant red and white backdrop.
Clockwise from left: A detail of the Library’s Pleyel harpsichord from the Wanda Landowska collection; composer Jennifer Higdon with the Curtis Chamber Orchestra at the Coolidge Auditorium; and a Martha Graham Dance Company performance of “Cave of the Heart” at the Coolidge in 2016. Shawn Miller

A Century of Great Music

The Library’s concert series celebrates its centennial.
Since its glamorous three-day opening festival in October 1925, the Concerts from the Library of Congress series has wielded an extraordinary influence on the music world — in America and on the international stage.

The Library currently is in the midst of a major, 18-month centennial celebration of the series — a century of free concerts, historic commissions and broadcasts featuring generations of legendary artists like Leonard Bernstein, George Szell, Igor Stravinsky, Leontyne Price, Joshua Bell and countless others. The celebration launched in February 2024 and continues through this December.

Among the great national libraries, sponsorship of a major concert series still is a rare thing. But the Library does have certain enviable advantages: the Coolidge Auditorium, considered one of the world’s finest acoustic environments; a stunning musical instrument collection; and treasures from the Music Division’s holdings to enrich every concert experience.

online offerings
A composite image featuring a vintage NAACP flyer promoting Thurgood Marshall as "Mr. Civil Rights," with his portrait, and a detailed color-coded map highlighting residential and geographic divisions, reflecting historical redlining practices.
Left: A flyer promotes a speaking engagement by Thurgood Marshall in 1954. Manuscript Division
Right: A color-coded zoning map highlights schools and neighborhoods in the township of Abington in Montgomery County, Pennsylvania. Manuscript Division

Chronicling the Civil Rights Fight

Project digitizes thousands of NAACP Legal Defense Fund documents.
The records of the NAACP Legal Defense and Educational Fund document decades of combating racial discrimination in court cases that changed the course of U.S. history.

A major portion of the organization’s processed records, spanning 1915 to 1968, now are available online at the Library for the first time. About 80% of the approximately 80,000 items have been digitized thus far, greatly expanding research access to primary source materials for scholars and students studying the civil rights movement.

The records cover many topics: segregation in schools, on buses and in public facilities; discrimination in housing and property ownership; voting rights; police brutality; racial violence; and countless other infringements of civil rights.

library in history
An engraving titled "The Taking of the City of Washington in America" showing the burning of the city by British forces, with fires, smoke, and various scenes of destruction, including boats and fleeing people.
British troops burn Washington, D.C., in August 1814 in this print published by G. Thompson in London two months later. Prints and Photographs Division

Testament to Survival

A Bible, stolen during the burning of Washington, is returned to the capital city.
The order that resulted in the devastation of the first congressional library during the War of 1812 arrived in the city of Washington on Aug. 24, 1814. As word reached Washington of the impending arrival of British forces, government officials and citizens fled.

The British easily marched in, ransacked and burned the Treasury, the President’s House (the White House), the Navy Yard, the Capitol (and the Library of Congress inside) and other federal buildings. Troops were ordered not to pillage or destroy civilian property, a command that largely was respected.

But one Royal Marines officer, Nathanael Cole, decided to extricate a keepsake, though it’s not clear from where: a King James family Bible, printed in Philadelphia in 1807 by Mathew Carey.

Off The Shelf
A juxtaposition of two detailed atlas engravings: the left showcasing a map of North America with geographic annotations, and the right featuring mythological figures supporting a globe, symbolizing the exploration of the world.
Louis’ atlas contained a few cartographic firsts, including a mythical Sea of the West in North America (left) and the east coast of what is now Australia (right). Geography and Map Division

The King’s View of the World

Library holds royal atlas that once belonged to Louis XIV.
Louis XIV of France, the absolutist Sun King who ruled his nation from the monumental, lavish palace of Versailles, was not a man known for his modesty.

His personal world atlas, a large two-volume set of more than 120 maps now held in the Library’s Geography and Map Division, may not have been the monarch’s most ornate possession, but it created an appropriately memorable splash when it was unveiled
in 1704.

Distinguished by special binding and the king’s royal cypher, or monogram, the atlas opens with a title page engraving showing a stately Louis XIV beside a map of the British Isles, his foot crushing the symbolically snake-haired man writhing beneath it.

favorite place
An architectural photograph of the James Madison Memorial Building, featuring symmetrical marble columns and panels extending toward a clear blue sky, with an inset image of an intricate bronze relief sculpture depicting abstract designs, located at the building's entrance.
shawn miller

Madison Building Entrance

And the Library’s James Madison Memorial Building is big. Really big. With some 2.1 million gross square feet, the Madison is the world’s largest library structure. Along with the Pentagon and the FBI building, it’s one of the three largest public buildings in the Washington, D.C., area.

The Madison’s main entrance is suitably imposing, framed by a colonnade of 24 towering piers that, as the Architect of the Capitol notes, attempts to “capture the spirit of classical architecture while remaining faithful to the canons of modern innovation.”

Just behind the colonnade and above the doors, a colossal bronze tribute to reading and learning greets arriving visitors.

“Falling Books,” a sculpture by Frank Eliscu, is what is sounds like: Ninety-eight giant, open books tumbling from the heavens to the folks below, their faces craned upward to see. Like the building it decorates, “Falling Books” is big: The sculpture measures 50 feet high and 35 feet wide. Some of the books are as much as 5 feet wide.

PAGE FROM THE PAST
A historical diagram featuring geometric shapes labeled with letters, including trapezoids and triangles, accompanied by handwritten calculations and measurements, showcasing 18th-century land surveying methods.
George Washington made these surveying notes and drawings in his school copybook as a teenager. Manuscript Division

Washington’s First Career

Young George got his start surveying land in Virginia.
George Washington was 11 when his father, a prominent landowner, died. The future founder of the country inherited several things — an imposing physical frame, a sense of civic duty, several parcels of land, 11 enslaved people and an endless, entrepreneurial interest in acquiring ever more land.

Augustine Washington also left behind some surveying tools, which proved to be as useful as anything else. By 15, young George already was practicing surveying land, and by 1749, when he was 17, he was working as a professional surveyor. This employment largely came through the connections of his patron, Lord Fairfax, on whose Northern Neck land the young Washington received most of his work, mapping out nearly 200 new claims. This was good money in the era and an even better opportunity.

CURATOR’S PICKS

‘The Two Georges’

John Powell, an exhibit director in the Exhibits Office, chooses five favorite items from “The Two Georges: Parallel Lives in an Age of Revolution,” opening on March 28.
A historical handwritten document featuring a list of words and numbers, including the name "Gen'l Washington" prominently highlighted, with other notable names and terms visible.

George Washington: Agent 711’

During the American Revolution, George Washington set up the Culper Ring, a network of secret agents to spy on the British, as dramatized in the TV series “Turn.” The spies used codes and invisible ink to report on the movements of British troops and ships.
A handwritten inventory list detailing various items such as "black mask," "sewing silk shaded," and "Miniken pins," written in neat script on aged paper.

George Washington’s Shopping List

Before the American Revolution, George Washington, like other Virginia planters, ordered almost everything he needed from Britain. This invoice dates from September 1759, shortly after Washington’s marriage to Martha Dandridge Custis.

The Plot to Kidnap a Prince

A classical portrait painting of two young boys, one in a dark blue coat with gold buttons and another in a red jacket, standing near a globe and marble sculpture, symbolizing learning and nobility.
Prince William, standing at left in a midshipman’s uniform, poses with his brother Prince Edward in this 1778 painting by Benjamin West. © Royal Collection Enterprises Limited 2025 | Royal Collection Trust
By Mark Hartsell
Washington approved a daring attempt to capture King George’s son.
The plot: Under the cover of darkness, a crew of armed soldiers rows across the Hudson River, enters New York City, kidnaps the king of England’s son and delivers him to Congress as a prisoner.

The mastermind: Matthias Ogden, a Continental Army officer serving under George Washington during the Revolutionary War.

The target: Prince William, the 16-year-old son of King George III now serving as a midshipman in the Royal Navy.

As the king’s third son, William held little hope of inheriting the throne. So, at age 13, he had joined the navy and, in September 1781, sailed into New York harbor with a squadron under Adm. Robert Digby — and thus became the first British royal ever to set foot in America.

Parallel Lives

New exhibit explores the similarities between George Washington and King George III.

By Julie Miller
Because George Washington and George III were on opposite sides of America’s war of independence from Britain, we have learned to think of them as opposites.

Our research for an upcoming Library of Congress exhibition, “The Two Georges: Parallel Lives in an Age of Revolution,” however, has turned up something much more interesting: They were surprisingly alike in temperament, interests and, despite the obvious differences in their lives, experience.

The exhibition, which opens in March, is a close look at the lives of George Washington, first president of the United States, King George III of Great Britain and the world they shared. It features the papers of George Washington, at the Library, and those of George III, at the Royal Archives, which is housed at the picturesque round tower of Windsor Castle. Objects and images from London’s Science Museum, Mount Vernon and other repositories also will be included. A companion exhibition will open at the Science Museum in 2026.

A black-and-white photograph of Dionne Warwick and Burt Bacharach in a recording studio, Warwick singing into a microphone and Bacharach smiling while gesturing, capturing a candid moment of musical collaboration.
Dionne Warwick and Burt Bacharach early in their hit-making collaboration. Music Division

Something there to remind us

Papers chronicle the work of one of history’s great pop songwriters, Burt Bacharach.

By NEELY TUCKER
In 1970, Burt Bacharach could sit down at a piano and seem like the coolest cat in the room. Any room.

The once-upon-a-time quiet, skinny Jewish kid from Queens, New York — the one who graduated Forest Hills High School ranked 360th out of 372 kids in his senior class, the one who hated taking piano lessons, the kid his parents called “Happy” — seemed like an L.A. natural by then.

The 42-year-old songwriter and composer was rich and famous, lived in Beverly Hills, owned a stable of racehorses and was married to Angie Dickinson, one of the most glamorous actresses on the planet. His music lived at the top of charts. He scored hit movies. He composed a smash Broadway musical. His television specials did great business. He was admired across the musical spectrum, from the Beatles’ Paul McCartney to Broadway legend Richard Rodgers. His concerts were sellouts, drawing everyone from kids to grandparents.

“Burt Bacharach is the prince of popular music,” Newsweek wrote in the summer of 1970, putting him on the cover.

Around the Library
Two individuals seated on stage in a conversation, with one speaking into a microphone and the other holding a notecard, smiling. Two coffee mugs on a small table between them. An American flag and a blue flag are visible in the background.
Tony- and Grammy-winning actor Leslie Odom Jr. talks with Ken Biberaj during a special recording of the “Coffee with Ken” podcast in the Coolidge Auditorium on Nov. 13.
A large room with multiple groups of people seated at tables, engaging in discussions or activities. American and blue flags stand prominently in the background, framed by tall columns and ornate red and white walls.
The Library hosts a trivia night competition on Nov. 7 as part of the ongoing Live! At the Library Thursday evening event series.
A panel discussion with a woman wearing a medal, speaking into a microphone while seated in a red chair. Two other individuals sit on the same stage, holding microphones and listening attentively.
National Ambassador for Young People’s Literature Meg Medina closes her tenure with a book talk for local students on Dec. 12.
Three people standing together, smiling, with the central individual holding a triangular award. The award features text and images. All are dressed formally, standing against a neutral background.
Stephanie Stillo, chief of the Rare Book division, accepts a replica of the Europa Clipper vault plate from Heather Doyle (left) and Bob Pappalardo of NASA’s Jet Propulsion Lab on Dec. 9.
A guided tour inside a grand architectural space with ornate golden details, statues, and decorative elements. A guide gestures toward a statue while speaking to a woman wearing a "Spirit" sweater.
Washington Spirit midfielder Croix Bethune tours the Main Reading Room with the Library’s communications director, Bill Ryan, on Dec. 3.
A storytime event featuring a woman in a festive sweater holding a book while seated in a red chair on a stage. Children sit on the floor in front, listening intently. A group of adults stands in the background near a Christmas-themed setup with poinsettias.
Librarian of Congress Carla Hayden reads to children during the annual holiday celebration in the Great Hall on Dec. 12.
ALL PHOTOS BY SHAWN MILLER

News Briefs

  • Sze Named 2024 Recipient Of Bobbitt Prize for Poetry

    The Library awarded the 2024 Rebekah Johnson Bobbitt National Prize for Poetry to National Book Award winner Arthur Sze for lifetime achievement in poetry.

    Sze is the author of 11 poetry collections, most recently “The Glass Constellation: New and Collected Poems” (2021). Other collections include “Sight Lines” (2019), which won the National Book Award for Poetry; “Compass Rose” (2014), a Pulitzer Prize finalist; “The Ginkgo Light” (2009); and “Archipelago” (1995). Sze also published an expanded collection of Chinese poetry translations, “The Silk Dragon II” (2024).

    The biennial Bobbitt Prize, which carries a $10,000 award, recognizes a book of poetry written by an American and published during the preceding two years or the lifetime achievement of an American poet. The prize is made possible by the family of Rebekah Johnson Bobbitt of Austin, Texas, in her memory, and awarded at the Library.

  • Grants Awarded to Enhance Teaching with Primary Sources

    The Library’s Professional Learning and Outreach Initiatives Office recently awarded Teaching with Primary Sources (TPS) grants to 23 first-time and 19 continuing grantee organizations located in the U.S. and Puerto Rico.

    The current grants, awarded in September, provide one year of funding with the possibility of two additional one-year grants, contingent upon delivery of TPS educational projects based on Library of Congress digitized materials.

    New grantees will use primary sources to deliver educational projects focused on civics, economics, disability history, law, writing, local and place-based history, media literacy, data visualization, state archives holdings and congressional centers activities and on supporting student inquiry.

    Since 2006, Congress has appropriated funds to TPS to establish and fund a consortium of organizations working to incorporate “the digital collections of the Library of Congress into educational curricula.”

Shop

A white marble bust of George Washington on a pedestal, showing intricate detailing of his facial features and hair.

George Washington bust

Product #21508292
Price: $27.95

Celebrate the first president of the United States with this 6-inch bust made of bonded marble.
A hardcover book titled "Quotations of George Washington," featuring an illustration of George Washington's portrait in an oval frame on a gray cover with red binding.

Quotations of George Washington

Product #21105650
Price: $12.95

Observations on life, government, politics, culture and relationships from America’s first president.
A reproduction of the Declaration of Independence featuring the title "In Congress, July 4, 1776," followed by the full text and signatures of the founding fathers.

Declaration of Independence poster

Product #21601018
Price: $6

This antiqued parchment poster is a 23-by-29-inch replica of the original handwritten Declaration.
support
A formal portrait of a woman with short brown hair, wearing pearl earrings and a blue blazer over a white blouse. She has a composed expression and is posed against a soft gradient background.
The support of Madison Council member Beverly Lannquist Hamilton and others helped bring the long-planned “Two Georges” exhibition to fruition. Courtesy of Beverly Lannquist Hamilton

Philanthropic Pairings

Private support helped make new exhibition possible.
The “Two Georges” exhibition is the result of a collaboration between two countries with a long, shared history — and between two sectors. The Library, a public resource, collaborates with private philanthropists to move its mission forward.

“Two Georges” would not be possible without the support of several private donors, one of whom is Beverly Lannquist Hamilton. Hamilton, a retired executive in the investment industry and a James Madison Council member, first decided to support the “Two Georges” exhibition in 2018. When she learned of the project, Hamilton already had been researching her own revolutionary past.

“Growing up in Lexington, Massachusetts,” Hamilton says, “I always knew that my DAR patriot was a minuteman who mustered there on April 19, 1775, when the alarm was raised, in time to join other militias in shooting at the British on their return from Concord to Boston. … The exhibit was a perfect fit.”

Give history a future. Join Friends of the Library of Congress.
last word
A portrait of a woman with short blonde hair wearing a pink and red scarf over a matching magenta sweater. She has a calm expression, gold earrings, and is posed against a neutral dark background.
Michael Lionheart

Flora Fraser

When I first saw the Washingtons’ neat and well-appointed mansion at Mount Vernon from across the bowling green 20 years ago, my immediate, wild thought was: George III and Queen Charlotte would have so enjoyed visiting here.

I knew little then of George and Martha but a substantial amount about the characters of both monarch and consort. They are central figures in two books that I had researched over the previous 15 years in the Royal Archives at Windsor: “The Unruly Queen: The Life of Queen Caroline,” the king’s daughter-in-law, and “Princesses: The Daughters of George III.”

It was unorthodox in 2004 to imagine the patriot Washingtons receiving in friendship the royal despot and his queen. Obediently, I followed other tourists through the elegant interiors and out onto the breathtaking views of Maryland across the Potomac. I could not shake the feeling, however, that there was much that the two couples had in common, despite obvious differences, and much that they would have relished discussing.

An aged historical document titled "The Address of Gen. Washington of America, To the People, On His Declining the Presidency of the United States." The document features small text in two columns and includes an engraved portrait of George Washington at the top center.
George Washington’s farewell address, first published on Sept. 19, 1796. In it, Washington announced he would not seek a third term as president. Rare Book and Special Collections Division

Current Exhibitions

A promotional image for "The Two Georges: Parallel Lives in an Age of Revolution," featuring side-by-side portraits of King George III and George Washington. Below the title are two photographs of an exhibition at the Library of Congress: one showing visitors examining displays under a grand arched ceiling, and the other showcasing shelves of historical books in a decorative hall.</p>
<p>
THE TWO GEORGES
Coming in March

COLLECTING MEMORIES: TREASURES FROM THE LIBRARY OF CONGRESS
Ongoing

THOMAS JEFFERSON’S LIBRARY
Ongoing

More Information

loc.gov/exhibits

David M. Rubenstein Treasures Gallery

Text reading "NEW ITEMS ON VIEW! David M. Rubenstein Treasures Gallery: Collecting Memories: Treasures from the Library of Congress. Curated from over 181 million collection items" displayed on a black background with bold and italicized fonts for emphasis.
A collage of images showcasing featured items in the Library of Congress Treasures Gallery. Includes a colorful exhibit with historical artwork, a textured globe sculpture, and a sepia-toned portrait of an older man.
Text reading "We have added treasures to the gallery as we continue to explore the preservation of memories, histories, and stories" in an elegant serif font, displayed on a transparent background.
Plan Your Visit | loc.gov/treasures
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